History of Finland between 1722 - 1808
The Great Northern War (1700–1721) was devastating, as Sweden and Russia fought for control of the Baltic. Harsh conditions among peasants undermined support for the war led to Sweden's defeat. Finland was a battleground as both armies ravaged the countryside, leading to famine, epidemics, social disruption and the loss of nearly half the population. By 1721 only 250,000 remained. Landowners had to pay higher wages to keep their peasants. Russia was the winner, annexing the south-eastern part, including the town of Vyborg, after the Treaty of Nystad. Sweden's status as a European great power was forfeit, and Russia was now the leading power in the North. The absolute monarchy was ended in Sweden. During this Age of Liberty, the Parliament ruled the country, and the two parties of the Hats and Caps struggled for control leaving the lesser Court party, i.e. parliamentarians with close connections to the royal court, with little to no influence. The Caps wanted to have a peaceful relationship with Russia and were supported by many Finns, while other Finns longed for revenge and supported the Hats. Finland by this time was depopulated, with a population in 1749 of 427,000. However with peace the population grew rapidly, and doubled before 1800. 90% of the population were typically classified as "peasants", most being free taxed yeomen. Society was divided into four Estates: peasants (free taxed yeomen), the clergy, nobility and burghers. A minority, mostly cottagers, were estateless, and had no political representation.
The mid-18th century was a relatively good time, partly because life was now more peaceful. However, during the Lesser Wrath (1741–1742), Finland was again occupied by the Russians after Sweden parliament had made a botched attempt to reconquer the lost provinces. Instead the result of the Treaty of Åbo was that the Russian border was moved further to the west. During this time, Russian propaganda hinted at the possibility of creating a separate Finnish kingdom. Both the ascending Russian Empire and pre-revolutionary France aspired to have Sweden as a client state. Parliamentarians and others with influence were susceptible to taking bribes which they did their best to increase. The integrity and the credibility of the political system waned, and in 1771 the young and charismatic king Gustav III staged a coup d'état, abolished parliamentarism and reinstated royal power in Sweden – more or less with the support of the parliament. In 1788, he started a new war against Russia. Despite a couple of victorious battles, the war was fruitless, managing only to bring disturbance to the economic life of Finland. The popularity of King Gustav III waned considerably. During the war, a group of officers made the famous Anjala declaration demanding peace negotiations and calling of Riksdag (Parliament). An interesting sideline to this process was the conspiracy of some Finnish officers, who attempted to create an independent Finnish state with Russian support. After an initial shock, Gustav III crushed this opposition. In 1789, the new constitution of Sweden strengthened the royal power further, as well as improving the status of the peasantry. However, the continuing war had to be finished without conquests – and many Swedes now considered the king as a tyrant.
With the interruption of the war (1788–1790), the last decades of the 18th century had been an era of development in Finland. New things were changing even everyday life, such as starting of potato farming after the 1750s. New scientific and technical inventions were seen. The first hot air balloon in Finland (and in the whole Swedish kingdom) was made in Oulu (Uleåborg) in 1784, only a year after it was invented in France. Trade increased and the peasantry was growing more affluent and self-conscious. The Age of Enlightenment's climate of broadened debate in the society on issues of politics, religion and morals would in due time highlight the problem that the overwhelming majority of Finns spoke only Finnish, but the cascade of newspapers, belles-lettres and political leaflets was almost exclusively in Swedish – when not in French.
The two Russian occupations had been harsh and were not easily forgotten. These occupations were a seed of a feeling of separateness and otherness, that in a narrow circle of scholars and intellectuals at the university in Turku was forming a sense of a separate Finnish identity representing the eastern part of the realm. The shining influence of the Russian imperial capital Saint Petersburg was also much stronger in southern Finland than in other parts of Sweden, and contacts across the new border dispersed the worst fears for the fate of the educated and trading classes under a Russian régime. At the turn of the 19th to 20th century, the Swedish-speaking educated classes of officers, clerics and civil servants were mentally well prepared for a shift of allegiance to the strong Russian Empire. King Gustav III was assassinated in 1792, and his son Gustav IV Adolf assumed the crown after a period of regency. The new king was not a particularly talented ruler; at least not talented enough to steer his kingdom through the dangerous era of the French Revolution and Napoleonic wars.
Meanwhile, the Finnish areas belonging to Russia after the peace treaties in 1721 and 1743 (not including Ingria), called "Old Finland" were initially governed with the old Swedish laws (a not uncommon practice in the expanding Russian Empire in the 18th century). However, gradually the rulers of Russia granted large estates of land to their non-Finnish favorites, ignoring the traditional landownership and peasant freedom laws of Old Finland. There were even cases where the noblemen punished peasants corporally, for example by flogging. The overall situation caused decline in the economy and morale in Old Finland, worsened since 1797 when the area was forced to send men to the Imperial Army. The construction of military installations in the area brought thousands of non-Finnish people to the region. In 1812, after the Russian conquest of Finland, "Old Finland" was rejoined to the rest of the country but the landownership question remained a serious problem until the 1870s.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.