Vlatades Monastery was founded by the brothers Dorotheus and Markus Vlatadon, who were students of Gregory Palamas, in the latter half of the fourteenth century. It was first mention in a letter by Patriarch Matthew dated in 1400 to Metropolitan Gabriel of Thessalonica.
In 1387, Thessalonica and the monastery were occupied for the first time by the Ottoman Turks. While the monastic community held together, the monastery properties were sequestrated as royal property and the main church was converted into a mosque with the frescoes of its interior plastered cover. During the Turkish occupation a unit of Turkish troops, commanded by a cavus, was billeted at the monastery giving rise to the name Cavus Monastir, still often popularly applied to the monastery.
During the latter part of the sixteenth and most of the seventeenth centuries the condition of the Monastery of Vlatadon and its dependencies deteriorated. While supported by a succession of Patriarchs of Constantinople, the monks of the Monastery of Vlatadon attempted to recover and restructure their dependencies in Thessalonica.
By the mid-twentieth century the monastery became a meeting place for scholars and academics of the city. In 1965, the Patriarchal Institute for Patristic Studies was established that has worked closely with the Aristotelean University of Thessalonica. In recent years the Monastery of the Vlatades has been further renovated and expanded.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.