St Orland's Stone is a Pictish Cross-Slab at Cossans, near Kirriemuir and Forfar. The stone is a worked slab of Old Red Sandstone and it is 2.4 metres tall. The slab is carved on both faces in relief and, as it bears Pictish symbols, it falls into John Romilly Allen and Joseph Anderson's classification system as a class II stone.
The cross face bears a ringed Celtic cross decorated with interlaced knotwork and spiral designs. It is surrounded in the lower two quadrants by interlaced fantastic beasts. The border appears to have once borne knotwork designs, but is weathered and difficult to interpret.
The rear face is bears crescent and v-rod and double disc and z-rod Pictish symbols. Below this is what appears to be a hunting scene, with four horsemen accompanied by two hounds, below this is a boat loaded with passengers and a depiction of a fantastic beast facing or attacking a bull. A quadrangular section between the Pictish symbols and figural carving is missing, and appears to have been cut out or a previously inlaid section has been removed. The carving is bordered by interlaced knotwork.
At some point, the stone has been broken and has been repaired using iron staples, formerly on the faces of the stone, now on the edges, to reinforce it.
Direct access to St Orland’s Stone is currently not possible due to conservation works. The stone can be viewed from a safe distance.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.