Culross Abbey was founded in 1217 by Malcolm I, Mormaer or Earl of Fife, and was first colonised by monks from Kinloss Abbey. Culross may have been chosen to establish an abbey because this was the birthplace of Saint Mungo. It is evident that the abbey was built over the earlier Pictish church supposedly founded by Saint Serf in the 6th century, as witnessed by the presence in the ruined Cistercian church of early medieval carved stones and from a ninth-century reference to a church of St Serf at Culross (Cuileann Ros) in a Gaelic list of the mothers of various saints.
The original 13th-century abbey was cruciform in plan, without aisles. By the late 15th century the lay brothers had ceased to be part of the monastery, and the abbey community consisted of only 15 choir-monks. The western half of the monastic cloister range was therefore abandoned, and the nave was demolished around 1500, although it is possible that it was about to be rebuilt at the time of the reformation. The reformation parliament of 1560 outlawed monastic life in Scotland and the monastery was allowed to continue, but was planned to die out naturally with the death of the last monk. In the 1580s the local parish congregation began to worship in the old monastic east end.
In 1613 the heart of Edward Bruce, a son of Edward Bruce, 1st Lord Kinloss who built Culross Abbey House, was buried in the kirkyard in a silver casket after he was killed in a duel with Edward Sackville.
In 1633 the east end of the abbey church was legally and completely taken over for use as a parish church, while the adjoining buildings fell into decay. In 1642 the north transept was converted into a tomb house by Sir George Bruce of Carnock. Alabaster carved effigies of him, his wife, and eight children can still be viewed there today. The abbey was restored in 1823, although many original features were removed, including the transept chapels. Another restoration took place in 1905, by Glasgow architect Peter MacGregor Chalmers, which reinstated the chapels and left the buildings much as they can be seen today. The eastern parts of the church are still in use for worship, and are generally open to the public.
A Ley tunnel is said to exist beneath the abbey, and within is said to sit a man in a golden chair waiting to give valuable treasures to anyone who succeeds in finding him. According to one story, many years ago a blind piper decided to try and upon entering at Newgate with his dog he proceeded to search and could be heard playing his pipes as far as the West Kirk, three quarters of a mile away. Eventually the dog emerged into the daylight, however the piper was never seen, or heard of, again.
The remaining ruins of the abbey are now in the care of Historic Scotland. The remaining intact part of the Abbey is used by the Church of Scotland as the local parish church. The church contains stained glass in the main east window by the Edinburgh company of Ballantyne & Son, plus several modern stained glass windows.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.