Built in square-stone style of predominantly grey sandstone, the Dunkeld Cathedral proper was begun in 1260 and completed in 1501. It stands on the site of the former Culdee Monastery of Dunkeld, stones from which can be seen as an irregular reddish streak in the eastern gable.
It is not formally a 'cathedral', as the Church of Scotland nowadays has neither cathedrals nor bishops, but it is one of a number of similar former cathedrals which has continued to carry the name.
Because of the long construction period, the cathedral shows mixed architecture. Gothic and Norman elements are intermingled throughout the structure. Although partly in ruins, the cathedral is in regular use today and is open to the public.
Relics of Saint Columba, including his bones, were said to have been kept at Dunkeld until the Reformation, at which time they were removed to Ireland. Some believe there are still undiscovered Columban relics buried within the cathedral grounds.
The original monastery at Dunkeld dated from the sixth or early seventh century, founded after an expedition of Saint Columba to the Land of Alba. It was at first a simple collection of wattle huts. During the ninth century Causantín mac Fergusa constructed a more substantial cathedral of reddish sandstone and declared Dunkeld to hold the Primacy (centre) of the faith in Alba.
For reasons not completely understood, the Celtic bell believed to have been used at the monastery is not preserved in the cathedral. Instead, it was used in the Little Dunkeld Church, the parish church of the district of Minor or Lesser Dunkeld. Possibly this was because the later canons regarded Culdeeism as heresy and refused relics or saints of that discipline.
In the 17th century, the Bishopric of Dunkeld became an appendage of the Crown and subsequently descended to the Earls of Fife. Dunkeld Cathedral is today a Crown property, through Historic Environment Scotland, and a scheduled monument.
In 1689 the Battle of Dunkeld was fought around the cathedral between the Jacobite Highland clans loyal to James II and VII – deposed in the Glorious Revolution the previous year – and a government force supporting William III and II, with the latter winning the day.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.