Dunfermline Abbey is one of the best examples of Scoto-Norman monastic architecture. The Abbey, built between 1128 and 1150 under David I, was a reconstruction of the Benedictine chapel dedicated to the Holy Trinity, founded by his mother, Queen Margaret. Despite much of the monastic buildings being destroyed by the troops of Edward I in 1303, there are substantial remains, with the lower stories of the dormitory and latrine blocks on the east side of the cloister being the earliest surviving parts, dating back to the early 13th century.
During the Scottish Reformation, the abbey church was sacked in March 1560. Some parts of the abbey infrastructure still remain, principally the vast refectory and rooms over the gatehouse which was part of the former city wall. The nave was also spared and it was repaired in 1570 by Robert Drummond of Carnock. It served as the parish church till the 19th century, and now forms the vestibule of a new church. This edifice, in the Perpendicular style, opened for public worship in 1821, occupies the site of the ancient chancel and transepts, though differing in style and proportions from the original structure. Also of the monastery there still remains the south wall of the refectory, with a fine window. Next to the abbey is the ruin of Dunfermline Palace, also part of the original abbey complex and connected to it via the gatehouse.
The Abbey parish church, designed by the architect William Burn, was built between 1818 and 1821 on the site of the medieval choir and transepts which had been the eastern part of the abbey.
The old building was a fine example of simple and massive Romanesque, as the nave testifies, and has a beautiful doorway in its west front. Another rich Romanesque doorway was exposed in the south wall in 1903, when masons were cutting a site for the memorial to the soldiers who had fallen in the Second Boer War. A new site was found for this monument in order that the ancient and beautiful entrance might be preserved. The venerable structure is maintained publicly, and private munificence has provided several stained-glass windows. The architecture of the Afghan Church in Mumbai in India (dedicated to St John the Baptist) references the door and the right side of the church of Dunfermline Abbey.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.