Constructed as a tower house in the late 14th century, Crichton Castle was expanded as power of the Crichton family grew. However, the Crichtons fell from favour in the later 15th century, and the castle passed to the Earls of Bothwell. Francis Stewart, 5th Earl of Bothwell, constructed the Italianate north range in the 1580s, featuring an elaborate diamond-patterned facade. After Bothwell was accused of witchcraft the castle fell into neglect. The ruins are now in the care of Historic Environment Scotland, and are open to the public. A mile to the south-west is Borthwick Castle, a 15th-century tower house that is still in use.
The castle's most distinctive feature is its Italian-influenced courtyard façade, which forms part of the north range. Francis Stewart, the designer, had travelled to Italy, and was inspired by new styles and technology in buildings there, particularly the Palazzo dei Diamanti in Ferrara (c. 1582). This was the source of the diamond rustication on the courtyard wall. The initials of Francis and his wife Margaret Douglas appear on the walls, together with an anchor representing Stewart's position of Lord High Admiral of Scotland. Inside are further innovations: Scotland's first 'scale-and-platt' stair, i.e. a modern-style staircase with landings and a drawing room to the north of the old tower.
To the south of the castle is a large stable block, with a horseshoe-shaped window and lodgings above.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.