The Museum of Decorative Arts, Bourges, France

The Museum of Decorative Arts has been housed in the Hôtel Lallemant since 1951. Its boasts collections of French and Dutch furniture, including a rare carved, engraved ebony cabinet, inlaid and japanned furniture, a set of 16th and 17th century tapestries, as well as items in faïence, enamels, ivories, glasswork, clocks, miniature furniture made by master craftsmen.

Flemish, Italian and French paintings lend an intimate atmosphere to this display. One can notice masterpieces of the 17th century: a cabaret scene by N. Tournier, an allegory by S. Vouet and a religious painting attributed to Nicolas Poussin.

References:

City of Bourges

Museums in France

User Reviews

Armail Lef (7 months ago)
Pleasant visit. The buildings of Bourges are exceptional. Thank you to the city for making all the museums free during this funny summer 2020. "The Sound of Things" is fun.

Thierry Plantier (8 months ago)
Nice building but the exhibits are few and not highlighted

Chihabe idine Raquib (2 years ago)
The Lallemant hotel is located in Bourges (Cher) and has kept the names of its builders, Jean Lallemant, three members of the same first name from a rich family of merchants from Germany who arrived in Bourges in the 13th century. The land where the building stands was acquired on November 6, 1467. The previous buildings were destroyed by the great Bourges fire in July 14871. The construction of the hotel took place between 1495 and 1518. The whole constitutes a remarkable example of the end of the Louis XII style and the first French Renaissance. The Lallemant Hotel is listed as a historic monument by the 1840 list.

Nicholas Jones (Nick) (2 years ago)
Worth the visit. Can be covered in 30-45 minutes but every is very inexpensive (4€ for adults). The building itself is enough to justify your time.

Alan Richoux (2 years ago)
A nice museum not very expensive. Nice staff and smiling. Must see at night when the backyard is bathed in light plays.

Featured Historic Landmarks, Sites & Buildings

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Historic Site of the week

Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.

Architecture

The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.

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