The existence of a fortification at the site of Mehun-sur-Yèvre dates from antiquity. The major remains are of the early 13th century and the later 14th century. The present standing ruins date from a castle founded under the Courtenays after 1209. This fortress was transformed into a princely residence by John, Duke of Berry in 1367. Largely ruined in the 18th century the castle represented an excellent example of late Gothic architecture and early Renaissance architecture. Charles VII of France, died in the castle on July 22, 1461.
The castle is built on a trapezoid plan, and originally had a tall cylindrical tower at each corner and a rectangular tower in the middle of one of the long sides. An entrance was formed in the wall between two of the towers. One tower (12m diameter) was much larger than the others (8m) and served as the keep. The keep and the west tower still stand to their full height, each capped with intricate defensive machicolations. Manuscript illustrations indicate that the castle also had a large chapel above the principal entrance.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.