The necropolis of Sa Figu, the most important prehistoric heritage of the territory of Ittiri, is a place where the pre-Nuraghic remnants ‘merge’ with the Nuragic monuments. It extends along the northern edge of the Coros plateau that gives its name to a Logudorese sub-region. Four kilometres from the town, the archaeological area can be reached from the sanctuary of San Maurizio by climbing up to the peak. The complex is composed of eleven hypogea, a megalithic circle and the base of an archaic Nuraghe (or ‘protonuraghe’). It has survived at least three prehistoric eras: the late Neolithic (end of 4th millennium BC), when the first nucleus of Domus de Janas was excavated; the Eneolithic and Copper age; plus the Late and Mid Bronze, when hypogeum ‘architectural façades’ were widespread.
Of the sepultures of Sa Figu, three are simple and original Domus de Janas, two have a single cella and one had a number of cellae, with a Dromos (‘andito’), an anti-cella and a cella on which secondary areas open. At least three are expanded Domus, with additions to the façade of stele and exedra. Three are new set-ups or have been restructured in the Bronze Age. The largest tomb was originally composed of five rooms, becoming a single room following the demolition of the partition walls. An anti-cella with decorated walls leads into the cella where three rooms opened up. The hypogea have revealed a number of Nuragic finds, especially the famous bronze statuette of the launeddas player.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.