The necropolis of Sa Figu, the most important prehistoric heritage of the territory of Ittiri, is a place where the pre-Nuraghic remnants ‘merge’ with the Nuragic monuments. It extends along the northern edge of the Coros plateau that gives its name to a Logudorese sub-region. Four kilometres from the town, the archaeological area can be reached from the sanctuary of San Maurizio by climbing up to the peak. The complex is composed of eleven hypogea, a megalithic circle and the base of an archaic Nuraghe (or ‘protonuraghe’). It has survived at least three prehistoric eras: the late Neolithic (end of 4th millennium BC), when the first nucleus of Domus de Janas was excavated; the Eneolithic and Copper age; plus the Late and Mid Bronze, when hypogeum ‘architectural façades’ were widespread.
Of the sepultures of Sa Figu, three are simple and original Domus de Janas, two have a single cella and one had a number of cellae, with a Dromos (‘andito’), an anti-cella and a cella on which secondary areas open. At least three are expanded Domus, with additions to the façade of stele and exedra. Three are new set-ups or have been restructured in the Bronze Age. The largest tomb was originally composed of five rooms, becoming a single room following the demolition of the partition walls. An anti-cella with decorated walls leads into the cella where three rooms opened up. The hypogea have revealed a number of Nuragic finds, especially the famous bronze statuette of the launeddas player.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.