The nuraghe Palmavera is classified as a complex nuraghe, that consists of several towers joined together. The nuraghe and the surrounding village were built in various phase during the Bronze Age and the Iron Age.
The main tower dates back to the first phase (15th-14th century BC) and retains the central chamber covered with the tholos and built with stones in limestone. The tower is archaic, with the entrance free of side passages and with the niches just sketched in the walls of the main chamber. There must have been also some huts outside the nuraghe.
In the second phase (first half of the ninth century BC) was added a second tower and restored the previous tower with blocks of sandstone. The two towers communicated through an interior courtyard and a corridor with niches.
It was also built the meeting hut, equipped with a stone seat that runs along the perimeter, interrupted by a tank made of stone slabs, of unknown function, and a round stone seat for the chief, standing next to a niche in the wall. At the center of the hut, on a circular altar, it is present a model of a nuragic tower in sandstone. In this period were also built other huts in the village of higher dimension.
In the third phase (9th-8th century BC), the nuraghe was restored again with blocks of limestone and around it was built an exterior wall with four towers-huts, forming two outer courts, divided by a wall with no openings. In one of these courts it was inserted the meeting hut, in the other has been identified a silo.
The village was destroyed by fire, probably at the end of the eighth century BC and was later sporadically attended in Punic and Roman times, as witnessed by some pottery found.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.