Santa María de Bendones is an Asturian Pre-Romanesque Roman Catholic church situated in Bendones, Spain, build between 792 and 842.
The structure is similar to the church of San Julián de los Prados, although the ground plan is not the typical basilica of the Pre-Romanesque churches, but has three enclosures at the western end, the central one as an entrance vestibule and two side areas possibly to house parishioners or ecclesiastics. This entrance leads into a single nave with a wooden ceiling, the same length as the entrance enclosures. The nave adjoins two rectangular side areas, also with a wooden ceiling, whose use seems to associated with the liturgical rites of the period. this nave joined with the sanctuary by three semicircular brick arches, each of which leads into its corresponding chapel, of which only the main or central one is covered with a brick barrel vault, the other two with wooden ceilings.
Above the main chapel is the 'typical' chamber, only accessible from outside, through a trefoil window with the standard Pre-Romanesque features; central arch larger than the side ones, resting on two free-standing capitals with rope moulding, and the upper rectangle framed by simple moulding.
Independent from the church structure, though close to its southern facade, stands the bell tower, on a rectangular ground plan.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.