San Vicente de Oviedo is a church and monastery in Oviedo. Its foundation, in 761, is recorded in a charter known as the Pacto monástico de Oviedo ('Monastic Pact of Oviedo') a copy made in the 12th-century of the original that is dated 25 November 781 and is considered the earliest document on the monarchy of the Kingdom of Asturias. Although doubts exist as to the veracity of this document since the monastery, also called Antealtares in the Middle Ages, is not mentioned again until 969. According to the charter of 781, twenty years before, in 761, the monks Máximo, with his serfs, and Fromestano, founded a church in locum quod dicunt Oveto (the place called Oveto), which was to become the city of Oviedo.
Transformed into a monastery, the first abbot was Oveco, documented between 969 and 978, and the first reference mentioning that it followed the Benedictine Rule is dated in 1042.
The style of the building is Romanesque, although reworked in the 11th and 12th centuries. Its cloister is an official National Historic and Artistic Monument and since 1952 houses the Archaeological Museum of Asturias.
The Archaeological Museum of Asturias hosts collections of the Asturian Neolithic, Megalithic, Bronze Age, Iron Age, Astur hill fort culture, Roman period, and of the Gothic, Pre-Romanesque and Romanesque periods of the Kingdom of Asturias. The museum also includes sections of Asturian Ethnography, Heraldry, Medieval and Modern Epigraphy, Spanish Numismatics, a European Medal Section, and Armor.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.