Iglesia de San Salvador is a Romanesque-style church located in the town of Fuentes, Villaviciosa. The church of San Salvador is documented in 1021 (via an inscription) as due to the patronate of Diego Perez, and consecrated by Bishop Adaganeo I. The church appears to have been built in the 12th-century. The diocese of Villaviciosa is mentioned in 1385 by the bishop of Oviedo, Gutierre de Toledo. The temple is mentioned in 1625 in documents of the Monastery of San Pelayo of Oviedo. In the 18th century it was a parish church. The church was declared an Artistic Historical Monument in 1931. During the Spanish civil war the church was burned, it was reconstructed in its prior form in 1950.
A processional crucifix, a bejeweled silver cross, with gilded wood, semiprecious stones and a Roman cameo from the church, one of the pinnacles of goldsmithery in medieval Asturian, were stolen in 1898 and sold to French and then American private collectors. In 1917 J. Pierpont Morgan donated it to the Metropolitan Museum in New York, where it now is exhibited.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.