The Basilique de St-Martin in Tours is a neo-Byzantine basilica on the site of previous churches built in honor of St. Martin, bishop of Tours in the 4th century. Next to it are two Romanesque towers and a Renaissance cloister surviving from the earlier basilica.
St. Martin died in 397 at the age of about 81 in Candes, and his body was brought to Tours. Martin's remains were enclosed in a stone sarcophagus, above which his successors, St. Britius and St. Perpetuus, built first a simple chapel, and later a basilica (466-72). St. Euphronius, Bishop of Autun and a friend of St. Perpetuus, sent a sculptured tablet of marble to cover the tomb. This Early Christian basilica burned down along with many other churches in 988.
A larger Basilica of St. Martin was constructed in 1014, which burned down in 1230. This was rebuilt as an even larger 13th-century Romanesque basilica, which became the center of great national pilgrimages and a stop on the way toSantiago. Martin's cult was very popular throughout the Middle Ages and a multitude of churches and chapels have been dedicated to him.
In 1562, Huguenots (French Calvinists) sacked the Basilica of St. Martin from top to bottom, especially destroying the tomb and relics of Martin. The church was restored by its canons, but then was completely demolished in 1793 during the Revolution. All the remained of the basilica was the two towers which are still standing. To ensure the basilica could not be rebuilt, the atheistic municipality caused two streets to be opened up on its site.
In December 1860, excavations located the site of St. Martin's tomb, of which some fragments were discovered. A new basilica to house these relics was constructed by Mgr Meignan, Archbishop of Tours, from 1886-1924. Martin's tomb is still a place of pilgrimage for the faithful.
The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.