The Basilique de St-Martin in Tours is a neo-Byzantine basilica on the site of previous churches built in honor of St. Martin, bishop of Tours in the 4th century. Next to it are two Romanesque towers and a Renaissance cloister surviving from the earlier basilica.
St. Martin died in 397 at the age of about 81 in Candes, and his body was brought to Tours. Martin's remains were enclosed in a stone sarcophagus, above which his successors, St. Britius and St. Perpetuus, built first a simple chapel, and later a basilica (466-72). St. Euphronius, Bishop of Autun and a friend of St. Perpetuus, sent a sculptured tablet of marble to cover the tomb. This Early Christian basilica burned down along with many other churches in 988.
A larger Basilica of St. Martin was constructed in 1014, which burned down in 1230. This was rebuilt as an even larger 13th-century Romanesque basilica, which became the center of great national pilgrimages and a stop on the way toSantiago. Martin's cult was very popular throughout the Middle Ages and a multitude of churches and chapels have been dedicated to him.
In 1562, Huguenots (French Calvinists) sacked the Basilica of St. Martin from top to bottom, especially destroying the tomb and relics of Martin. The church was restored by its canons, but then was completely demolished in 1793 during the Revolution. All the remained of the basilica was the two towers which are still standing. To ensure the basilica could not be rebuilt, the atheistic municipality caused two streets to be opened up on its site.
In December 1860, excavations located the site of St. Martin's tomb, of which some fragments were discovered. A new basilica to house these relics was constructed by Mgr Meignan, Archbishop of Tours, from 1886-1924. Martin's tomb is still a place of pilgrimage for the faithful.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.