The first documentary reference to Santa María de Piasca is a donation from 930 making reference to a basilica just founded on the site. Little over a decade later, in 941, an agreement was recorded between 36 nuns and an unknown number of monks under an abbess Aylo, telling us that the monastery housed a community of both sexes. The monastery's dual character faced several oscillations, with the nuns leaving and returning twice. The archeological evidence of the original monastic buildings shows a small single nave church and separate spaces for the two groups.
A foundation stone records that the current church on the site, the Romanesque edifice, was dedicated in 1172 under a prior Petrus Albus. By this point the monastery had been incorporated into the larger Cluniac monastery of San Facundo y Primitivo de Sahagún (in 1122) and brought under the Benedictine Rule. The inscription also names the master of the project as Covaterio. The church has two sculpted portals, the west and the south. The portals have most likely been somewhat reconstructed, possibly with elements exchanged between the two. The triple arcade on the west façade has obviously been renovated as the central sculpture of Mary is from the sixteenth century. The two apostles (Peter and Paul) to her sides may have originally flanked an image of Christ, forming, as Ruth Bartal suggests, an abbreviated apostolado.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.