The Sanctuary of Loyola consists of a series of edifices built in Churrigueresque Baroque style around the birthplace of St. Ignatius of Loyola, founder of the Society of Jesus.
Ignatius of Loyola, whose real name was Iñigo López de Loyola, was the son of the Lord of Loyola, Beltrán Ibáñez de Oñaz and Marina Sánchez de Licona, member of an important Biscayan family. He was born in 1491 in his family house in Loyola.
After he died his birthplace became a place of veneration. In the seventeenth century the house where he was born was given to the Society of Jesus. The Order built there, near the birthplace of its founder, the Sanctuary of Loyola.
In 1900 the Society commissioned an altar for the sanctuary, employing metalwork artist Plácido Zuloaga, who had won international success creating intricate artworks by damascening, a technique which inlays gold and silver into iron. Zuloaga's iron structure houses panels depicting the life of St. Ignatius, and supports a damascened crucifix and candlesticks from the workshop of José Felipe Artamendi.
References:The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.