Caldey Priory is on Caldey Island off the coast of Pembrokeshire, Wales, some 300 metres south of the modern Caldey Abbey. Sir Robert fitz Martin was granted the island in 1113 and his mother Geva founded the priory as a daughter house of the Tironensian St. Dogmaels Abbey in the 12th century. It was probably built on a preexisting Celtic Christian site, and lasted to the Dissolution of the Monasteries in 1539, although the number of monks resident there ranged from one in the late 12th century, four in 1402 and six in 1504. The buildings were significantly upgraded in the 16th century after the priory was secularized, but there is no evidence that they were used by either of the owning families of the time.
Several centuries later they were used as a farm house, centered on the priory's church. Around 1800 they became the farm buildings for a new house built for Thomas Kynaston, owner of the island from 1798. Restoration of the buildings may have begun as early as the mid-1890s, but the Rev. W. D. Bushell began the restoration after he bought the priory in 1897. He sold the property in 1906 to the Anglican Benedictine community that built the current abbey, but rented the house and the priory until he died in 1917. The house was subsequently demolished in the 1970s.
The priory buildings are built from rubble stone, with slate roofs, and are grouped around a small courtyard. Over the centuries they have been altered many times and have a very complex history. On the north side was a domestic range that has not survived. The gatehouse is on the western side and there is a two-storey dormitory with a tower on the eastern. The church stands on the south side, and consists of nave, chancel and west tower with a spire.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.