Rossano Cathedral is the seat of the Archbishop of Rossano-Cariati. The cathedral was built in the 11th century, with substantial reconstruction in the 18th and 19th centuries. It has a central nave and two side-aisles, terminating in three apses. The bell tower and the baptismal font date from the 14th century, while the other artworks and furnishings are of the 17th and 18th centuries.
The cathedral houses an ancient image of the Madonna Acheropita, an image of the Madonna and Child supposedly discovered in the cathedral plaster and not painted by human hand, which is dated to somewhere between about 580 and the first half of the 8th century.
In the sacristy in 1879 was discovered the Codex Purpureus Rossanensis ('Rossano Gospels'), a Greek evangeliary of the 5th or 6th century of Middle Eastern origin (probably Antioch), which was probably brought to Rossano by a monk taking refuge from the Arab invasions of the Middle East during the 9th and 10th centuries.
The manuscript comprises 188 leaves of parchment dyed purple containing the Gospels of Matthew and Mark and the Epistula ad Carpianum (a letter from Eusebius of Caesarea to a Christian named Carpianus). Although it is mutilated and anonymous, the manuscript is perhaps the most representative testimony of the Byzantine connections of Rossano. The texts are in gold and silver ink, with 15 miniatures showing the most important moments in the life and preaching of Jesus.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.