The Priory Church of St Mary is the parish church of Usk. Its origin was as the church of Usk Priory, a Benedictine nunnery founded by Richard de Clare, 2nd Earl of Pembroke in the twelfth century.
The site of the church shows no evidence of a pre-Conquest church, and the earliest religious building there may have been a Norman church associated with Usk Castle on the site of the present West nave. In the years before his death in 1176, Richard de Clare, 2nd Earl of Pembroke founded a Benedictine nunnery on the site. In the thirteenth century the North aisle was added as a place of worship for the people of the town, separated with a screen from the parts of the priory used exclusively by the nuns. In the fifteenth century, two two-storyed Perpendicular porches were added to the North and West aisles, the probable builder being Sir William Herbert, who was also building on a grand scale at nearby Raglan Castle.
After the Dissolution of the Monasteries in the late 1530s, the priory church became the parish church of the town. Extensive restoration and new building occurred in 1884 when Thomas Henry Wyatt created a sanctuary by roofing over the crossing space next to the tower and added a further bay to the nave. A further restoration was undertaken in 1899–1900, when G E Halliday inserted new windows and re-roofed the nave and aisle.
The gatehouse to the original Benedictine nunnery stands at the entrance to the churchyard.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.