Chaalis Abbey was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. It was founded in 1136 by Louis VI of France. There had previously been a Benedictine monastery in the same place. Most of the buildings fell into ruins thanks to mismanagement on the part of the commendatory abbots. Among the ruins, a chapel with important frescos by Primaticcio survives intact.
For Louis, Count of Clermont and abbé commendataire of Chaalis, the architect Jean Aubert created plans for the reconstruction of the abbey in 1736. Begun in 1739 and intended as a large quadrangle, only the entrance wing with the abbot's residence was completed. Further work was halted in 1745 due to lack of funds and never resumed.
Jean Aubert's château, now the museum, next to the ruins of the former abbey. The monastery was sold and demolished during the French Revolution.
The former abbey is now the location of an art museum, the Musée Jacquemart-André. Like the museum of the same name in Paris it houses a part of the former collection of artworks of Nélie Jacquemart-André. At her death in 1912 she gave it to the Institut de France and asked that a museum should be created in Chaalis, where she had spent her childhood.
The museum continues to display this very rich collection which features paintings by Giotto, Cima da Conegliano, Luca Signorelli, Francesco Francia, Lorenzo di Credi, Joos van Cleve, Tintoretto, Palma the Younger, Jan Davidsz de Heem, Philippe de Champaigne, Charles Le Brun, Nicolas de Largillière, François Desportes, François Boucher, Rosalba Carriera, Giovanni Paolo Pannini and Jean-Baptiste Greuze; sculptures by Baccio Bandinelli, François Girardon, Jean-Antoine Houdon, Augustin Pajou, Jean-Baptiste Lemoyne and Edme-François-Étienne Gois; furniture and decorative art; and a collection of Indian items.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.