The Château de Montrésor is a medieval castle with a Renaissance mansion built in the grounds. In about 1005, Fulk Nerra, count of Anjou, chose a rocky spur dominating the valley of the Indrois as the site for his captain Roger le Petit Diable ("Little Devil"), to build him a powerful fortress. Montrésor had one of the first keeps built in stone, similar to that at Loches, and two circular walls, but today only the west wall remains. In the 12th century, Montrésor fell into the hands of Henry II of England and the imposing towers at the entrance were built, as well as a part of the north curtain wall. In 1188, King Philip Augustus of France retook Montrésor from the English. André de Chauvigny, returning from the Third Crusade with Richard the Lionheart, became the new lord of Montrésor, before having to cede the castle for almost two centuries to the Palluau family. Demolished in 1203, the castle was rebuilt in 1393 for Jean IV de Bueil by Jean Binet, who put up the enclosure wall, the gatehouse and the existing outbuildings.
From the start of the 15th century, with the court spending more and more time in Touraine, Montrésor became a centre for courtesans and royal servants. In 1493, Imbert de Batarnay bought Montrésor to build an elegant residence in the feudal enclosure, of which only the main wing remains. Imbert was an influential councillor and chamberlain to four kings of France: Louis XI, Charles VIII, Louis XI and Francis I. This royal servant had a long tenure in this function, rare in this epoch, but he was skilful and cunning, and was present at all of the negotiations in his time - he was particularly responsible for arranging the marriage of Anne of Brittany to the king, sealing the joining of the Duchy of Brittany to the French kingdom. He was entrusted with preparations for war with Italy and the education of the children of Louis XII and François I.
During the 17th and 18th centuries, other leading families - such as the Bourdeilles and the Beauvilliers - lived in the castle. The French Revolution marked the beginning of its decline. Around 1845, count Jouffroy de Gonsan demolished the west wing of the Renaissance logis as well as the castle chapel. In 1849, Xavier Branicki, a rich Polish count and friend of emperor Napoleon III, arrived to give new life to Montrésor; Branicki undertook the complete restoration of the castle. He equipped the house with rich furnishings and roofs and the house was the setting for sumptuous feasts with Napoléon. Branicki's descendants still own the castle.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.