Mogorjelo is a Roman villa rustica that dates from the early fourth century. It is situated on a hill off the Neretva branch, 5 km south of Čapljina.
An Italic settler had a private manor complex built for agricultural purposes on the Mogorjelo site in the mid first century CE. He located the building designed for processing agricultural produce (villa rustica fructuaria) on a salient on the hill (the ground plan of the villa lies near the north or main gate of the walls of later date), and the residential building (villa rustica habitatoria) on the south slope exposed to the sun. This building burned down in the third century.
In the early fourth century, a state-owned estate was constructed over the ruins, with a villa which now forms the major feature of the complex. During the third century the property probably changed hands to become state-owned. The estate was destroyed in a major fire. The latest coins discovered on this site, in a layer of soot, were minted by Honorius in 388, so that it may be assumed that Mogorjelo fell into enemy hands some time between 401 and 403 with the Visigoth invasion of these parts. Life continued in these new circumstances.
In the mid fifth century, two basilicas were erected within the ruined perimeter walls in the north-eastern corner of the former villa, first one to the north and immediately thereafter the one to the south. To judge from various conversion works within the buildings, it appears that they were converted to residential use. Some items of Carolingian provenance, dating from the ninth century, have been found in the round tower and adjacent premises. Burials took place all over the site and its surroundings from the period of construction of late antique churches to the nineteenth century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.