Sponza Palace, Dubrovnik, Croatia

The rectangular Sponza Palace with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. Its name is derived from the Latin word 'spongia', the spot where rainwater was collected.

The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters.

The palace has served a variety of public functions, including as a customs office and bonded warehouse, mint, armoury, treasury, bank and school. It became the cultural center of the Republic of Ragusa with the establishment of the Academia dei Concordi, a literary academy, in the 16th century. It survived the 1667 earthquake without damage. The palace's atrium served as a trading center and business meeting place.

The palace is now home to the city archives, which hold documents dating back to the 12th century, with the earliest manuscript being from 1022. These files, including more than 7000 volumes of manuscripts and about 100,000 individual manuscripts, were previously kept in the Rector's palace.

References:

Wikipedia

Palaces, manors and town halls in Croatia

User Reviews

lucian oana (4 months ago)
The admittance price is a real rippof. It's 25 Kuna and they don't even let you go upstairs

Philippe V (4 months ago)
Beautiful from outside, but do not pay the 25 kunas for seeing the inside, which has almost no interest. Except if you want to see some ridiculous so-called modern art paintings, as well as the interior patio, which is nice, and hidden from the outside with a panel they have installed as you would otherwise have no reason to pay.

Robert Zobel (4 months ago)
Such an elegance...

Bekir Hadziomerović (5 months ago)
A small section dedicated to the history of Orlando and his column outside the palace. In many ways it felt lacking.

Jérôme Le Champion (5 months ago)
25 kun for juste 1 room.. very bad museum

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Photo from Flickr, copyright oxfordblues84

Historic Site of the week

Luxembourg Palace

The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.

The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.

In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.

During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.

Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.

The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.

During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.

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