This fortified gatehouse served as the official entry to the city ever since its construction in the 14th century, as part of the Grand Rampart which surrounded Verdun in the Middle Ages. The gatehouse was offered to the city by Wautrec, a rich citizen who was an alderman. It symbolised the new status of Verdun which was made an “imperial free city” in 1374. By this the city was obliged to maintain its own ramparts and to look to its own defence in the case of an attack.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.