Kirn's foremost landmark, standing above the town, is the Kyrburg, a former hill castle, now a ruin. It lies between the Nahe and Hahnenbach valleys high above Kirn. In 1128, the Kyrburg had its first documentary mention in a document from Count Emich de Kirberc. The castle was one of the seats held by the Waldgraves (whose successors were the Emichones). By the late 13th century, the Waldgraves had split into several lines, one of which named itself after the Kyrburg. In 1409, the Rhinegraves took over the holding through marriage.
In the Thirty Years' War, after being occupied by the Spaniards, the Swedes and Imperial troops, it fell into French hands in 1681. Eight years later, a replacement of the defensive complexes was undertaken. In 1734, the stronghold was once again under French occupation, and in the course of the War of the Polish Succession, it was blown up.
The ruin thereafter served the townsfolk as a stone quarry. In 1764, Prince Johann Dominik had the garrison house built, which nowadays houses theĀ Restaurant Kyrburg, and in the cellar, the well known whisky museum. In 1908, the castle complex past into the ownership of the Princes of Salm-Salm; since 1988, it has been owned by the town of Kirn.
As an outdoor stage, the ruin offers a dramatic backdrop for cultural events. In the past, several operas have been staged there (mainly ones by Giuseppe Verdi). It is also a venue for plays, concerts and celebrations.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.