Tholey Abbey is a Benedictine monastery dedicated to Saint Maurice. As early as the 5th and 6th centuries a group of clerics had established themselves here in the Roman ruins. On the instructions of Magnerich, bishop of Trier from 566 to 600, these hermits formed themselves into monastic communities. One of the earliest of such communities, at the foot of the Schaumberg, is said to have had Saint Wendelin as its head, who is thus counted by tradition as the first abbot of Tholey.
The Benedictine history of Tholey is thought to have begun in about 750. At the end of the 15th century the abbey joined the Bursfelde Congregation.
In 1794 during the French Revolution the abbey was plundered and burnt down, and dissolved the same year. In 1798 the remaining buildings were auctioned off. In 1806 they became the property of the municipality, as the parish church and priest's house.
The present abbey was established by the Benedictines in 1949 and settled in 1950 by monks from St. Matthias' Abbey, Trier. The monks work in pastoral care and run the guesthouse and book shop. As of 2020, twelve monks from five nations reside in the monastery.
in 2008, with philanthropic support from Edmund and Ursula Meiser, the chapter house was renovated, and baroque-style pavilion was erected on the grounds of the abbey.
In 2020, the abbey installed stained glass windows created by German artists Gerhard Richter and Mahbuba Maqsoodi. Richter's three windows — with deep reds and blues prevailing on the two outer displays and the central one dominated by radiant gold — are more than 30 feet tall and made to a symmetrical design. Maqsoodi's 34 windows for the church feature figurative images portraying saints and scenes from the Bible.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.