Cesvaine Palace was built in 1896 for the German baron Emil von Wulf (not to be confused with the von Wolf baronial family). Authors of the project were architects Hans Grisebach and August Dinklage from Berlin. The palace is built in the late Tudor Neo-Renaissance style. It is located next to the old medieval castle ruins, remains from the old bishops castle.
At the end of the 19th century, Germany abandoned the reproduction of old German prototypes and turned to England in search of inspiration, namely to late Tudor-style architecture. The style had preserved certain Gothic elements. Picturesque frames, towers and turrets of different forms and sizes, high decorative chimneys and steep roofs were all characteristic features of the style.
Cesvaine Palace is an impressive construction representing this trend in Latvia. Abandoning forms of the German renaissance, Griesebach created an unusual, noble and welcoming construction. It is a romantic and picturesque building, and its architecture harmonizes with the landscape. The palace is built of stone, skilfully using the colour and texture of the material. The building is renowned not only for its size and frame, but also for the quality of construction. The facades of the palace is made in the medieval style, so the palace leaves the impression of a medieval fortification.
The palace has survived all revolutions and wars of the twentieth century, so interiors were almost in perfect condition. Unfortunately in 2002 the palace suffered heavily in a fire. All of the roof and second floor was destroyed and the first floor was seriously damaged. But, many interior elements survived and will be restored. Although restoration works has started, due to the lack of finances they are proceeding very slowly. The last few decades there was a local secondary school housed in the palace.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.