Rundāle Palace is one of the two major baroque palaces built for the Dukes of Courland in what is now Latvia, the other being Jelgava Palace. The palace was built in two periods, from 1736 until 1740 and from 1764 until 1768. It was constructed to a design by Bartolomeo Rastrelli as a summer residence of Ernst Johann von Biron, the Duke of Courland. Following Biron's fall from grace, the palace stood empty until the 1760s, when Rastrelli returned to complete its interior decoration.
After Duchy of Courland and Semigallia was absorbed by the Russian Empire in 1795, Catherine the Great presented the palace to Count Valerian Zubov, the youngest brother of her lover, Prince Platon Zubov. He spent his declining years there after the death of Valerian Zubov in 1804. His young widow, Thekla Walentinowicz, a local landowner's daughter, remarried Count Shuvalov, thus bringing the palace to the Shuvalov family, with whom it remained until the German occupation in World War I when the German army established a hospital and a commandant's office there.
The palace suffered serious damage in 1919 during the Latvian War of Independence. In 1920, part of the premises were occupied by the local school. In 1933, Rundāle Palace was taken over by the State History Museum of Latvia. It was dealt a serious blow after World War II, when the grain storehouse was set up in the premises and later, the former duke's dining room was transformed into the school's gymnasium. Only in 1972 was a permanent Rundāle Palace Museum established.
The palace is one of the major tourist destinations in Latvia. It is also used for the accommodation of notable guests, such as the leaders of foreign nations. The palace and the surrounding gardens are now a museum.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.