Rundāle Palace is one of the two major baroque palaces built for the Dukes of Courland in what is now Latvia, the other being Jelgava Palace. The palace was built in two periods, from 1736 until 1740 and from 1764 until 1768. It was constructed to a design by Bartolomeo Rastrelli as a summer residence of Ernst Johann von Biron, the Duke of Courland. Following Biron's fall from grace, the palace stood empty until the 1760s, when Rastrelli returned to complete its interior decoration.
After Duchy of Courland and Semigallia was absorbed by the Russian Empire in 1795, Catherine the Great presented the palace to Count Valerian Zubov, the youngest brother of her lover, Prince Platon Zubov. He spent his declining years there after the death of Valerian Zubov in 1804. His young widow, Thekla Walentinowicz, a local landowner's daughter, remarried Count Shuvalov, thus bringing the palace to the Shuvalov family, with whom it remained until the German occupation in World War I when the German army established a hospital and a commandant's office there.
The palace suffered serious damage in 1919 during the Latvian War of Independence. In 1920, part of the premises were occupied by the local school. In 1933, Rundāle Palace was taken over by the State History Museum of Latvia. It was dealt a serious blow after World War II, when the grain storehouse was set up in the premises and later, the former duke's dining room was transformed into the school's gymnasium. Only in 1972 was a permanent Rundāle Palace Museum established.
The palace is one of the major tourist destinations in Latvia. It is also used for the accommodation of notable guests, such as the leaders of foreign nations. The palace and the surrounding gardens are now a museum.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.