Château de l'Ébaupinay was built between the 14th and 15th centuries. By the late 15th century, the Lord of Vendel owned the castle and its estate. The structure was reportedly devastated by a fire in January 1794, possibly caused by the Grignon column. However, due to a lack of factual evidence (written or physical traces of the event), it could be a legend linked to the proximity of a battle where another castle in the region was indeed set ablaze.
According to Stéphane Berhault, a heritage architect, similar to other castles in the region, such as the Château de Glénay, the Château de l'Ébaupinay was simply dismantled. This dismantling involved removing roof framework elements and floors to recover materials, benefiting other constructions in the vicinity. The former interior coatings on the top floor still exist, contradicting the theory of a fire.
In the late 2010s, the Corbière family, owners since the 19th century, struggled to save l'Ébaupinay and its five hectares of land, later putting the property up for sale. The castle's purchase and restoration project became the subject of a crowdfunding campaign by Dartagnans. In 2024, the castle was put back on the market.
The castle, dating from the late Middle Ages, features late Gothic style. Its architecture is characterized by five elegant towers flanking a square dwelling with a roof pierced by triangular gabled dormers, which are still in place. The ensemble is topped with a chemin de ronde with machicolations. On the north and east sides of the castle, the moats are still filled with water. The courtyard, with its small guard towers and a dismantled gate, once housed the castle's outbuildings.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.