In 1264, castrum Hackenberg is mentioned as a site for document sealing. After the last Hackenberger died, the property passed to Alber Stuchs von Trautmannsdorf in 1382. Christoph Kuenritz bought and converted it into a Renaissance castle in 1543. Plundered in 1620 during the Thirty Years' War, it remained devastated until Sigmund Friedrich von Sinzendorf purchased it in 1650. His nephew, Theodor Reichsgraf von Sinzendorf, remodeled it into a Baroque palace between 1679 and 1677. After Prosper von Sinzendorf's death in 1822, it passed to the Reuß-Köstritz princes but fell into disrepair.
In 1945, it came under Soviet administration as German property, and in 1955, it was returned to Prince Reuß. Artists from the Vienna Group, including Friedensreich Hundertwasser, moved in from 1959. Captain Josef Steiger bought it in 1974, and in 1986, Horst Wächter, Hundertwasser's former assistant, acquired it. The Osmann family took over in 2020, with Horst Wächter remaining for historical research.
The four-story structure features Renaissance geometry and proportions, with medieval foundations. A cosmological mysticism, likely embedded during the 1679 Baroque renovation, is present. The four wings align precisely with the cardinal directions, enclosing a rectangular courtyard. The southern wings retain colorful ceiling frescoes and stucco decorations.
Access is via a short alley in the northeast, crossing a stone bridge into a frescoed entrance hall, leading through the courtyard with an octagonal fountain to a three-bay shell grotto, the 'sala terrena,' decorated with statues, frescoes, shells, and stucco, extending into the garden. The former access extended over the moat to a landscaped area with a Baroque-era artificial lake.
The Initiative Hagenberg association hosts cultural events at the castle.
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.