Château de Buranlure, is an ancient fortress in the Berry region of France, dating from the late Middle Ages and the transition towards the Renaissance. The domain, owned by the de Bar family, vassals to the Count of Sancerre, played a key defensive role in the vicinity between the 14th and 16th centuries.
Built adjacent to the Loire river, it was at the border between two kingdoms: that of the king of France, residing a few kilometres away in Bourges, and the Burgundians, in Cosne sur Loire. It was frequently used as a command post for the king's troops during the Hundred Years' War to counter the Anglo-Burgundians.
During the religious wars, the then lord of Buranlure, Antoine de Bar, raised an army to support the Maréchal de La Châtre as he was laying siege to Sancerre, a Protestant stronghold.
As the de Bar family gradually abandoned it for more comfortable houses, it was acquired in 1769 by the Perrinet Langeron family. Their interest in the purchase was more the pastures included in the estate than the castle, as they deemed it dull and sober. They converted the castle into a farmer's lodgings, and so it remained until the beginning of the 20th century.
This lack of interest left Buranlure architecturally untouched, allowing it to keep its rustic look and feel throughout the centuries while other castles were given more modern touches. However, heavily worn out by time and the occupation, an ambitious restoration project was launched at the end of World War II by Arnaud de Vogüé, a descendant of the Perrinet Langeron family. Thanks to the work of experts and local craftsmen, great care was given to ensure Buranlure kept its authenticity.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.