Château de Sagonne was erected by Sancerre family, who had held the seigneurie from the 10th century. It was built during the 14th century to control the road between Bourges and Sancoins. The estate was bought by the Babou family in 1546; during the rest of the 16th century they made significant alterations. The castle was acquired by the noted Baroque architect, Jules Hardouin Mansart, in 1699 and he made important alterations in the early 18th century. The castle was broken up during the French Revolution and its contents and materials sold.
The enceinte originally comprised eight towers and two gateways. Wanting a more panoramic view, Mansart demolished the curtain walls on the east and created gardens. The west and north sides of the enceinte still exist. Also still visible are the pillars supporting the base of the bartizans (watch towers), parts of the portcullis in its housing and door panels from the 16th century. Under the Gothic arch vault can be seen the start of the staircase leading to the upper floors. Four towers remain.
The facade looking onto the courtyard dates from the 15th century and has moulded windows as well as the openings made in the 18th century at the end of the building. Most of the doors still have their original decorative moulding.
The castle is privately owned and is open to the public from June to September. Visitors may see frescoes from the 17th century, furnished rooms, weapons and portraits, and the Mansart Museum.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.