The Sigulda manor center began to develop in the fore-castle area of Sigulda Medieval Castle during the 17th century. There are still a few remaining 18th and 19th century buildings built during the ownership of the Von Borghs and Kropotkins. These are the Summer Castle, the New Castle, the White Castle, the vagar's (supervisor of serfs) house, the servants' house, a barn, a laundry house and a vegetable and fruit basement. The manor center is enclosed by chipped boulder walls with a splendid gate structure.
The New Castle was built during the time of Duchess Olga and Duke Dimitry Kropotkins from 1878 until 1881 using the materials from an older building which stood here during the 17th century.
The master’s house was built in neo-gothic style by Jānis Mengelis from Cēsis. The planning and the shape of the house is simple. The architectural and artistic value of the castle is achieved through the successful use of Gothic forms and the color shades from the recycled chipped boulders. Looking through any window, you will have a panoramic view of the Gauja valley including the ruins of Sigulda castle. Farther away you will see the ruins of Krimulda and Turaida. On the opposite side there is a neatly landscaped yard.
During World War I this building was destroyed. In 1922, following the agrarian reforms, New Castle became the Writers’ Castle because it was used by the Latvian Union of Writers and Journalists. The building was in unusable condition after the war so the Union had to invest a large amount of money for restoration. In the 1920’s and 30’s, full room and board was offered to writers and literary types as well as other visitors.
In 1934 the castle was acquired by the Latvian Press Society. From 1936 to 1937, major reconstruction work was done under the leadership of architect August Birkhans. Building plans were completely re-drawn. The overlook tower was heightened, the terrace around the building was expanded and a new balcony was added to the second floor. Inside, a new modern-age interior design was installed. It became the most notable example of national modern design in the Baltic region. Many famous artists of that time such as Niklāvs Strunke, Pēteris Ozoliņš, Kārlis Sūniņš, and Vilhelms Vasariņš took a part in creating it. Pictures of the castle were found in French art magazines as the press at the time would report. The Writers Castle became a popular visitor's destination after the renovation.
In 1938, the monument of Atis Kronvalds, made by Teodors Zalkalns, was unveiled at the front of the New Castle. Atis Kronvalds was a teacher and a publicist and helped initiate the second wave of the New Latvian movement.
During World War II, the New Castle was used as a headquarters for the Nord division of the German army. After the war, the USSR Council of Ministers made it a recreation house for high state officials. In 1953, the Health department of the Latvian SSR established the Sigulda rehabilitation center which was in operation until the restoration of Latvian independence.
From 1993 through 2002, the New Castle held the Sigulda City council and then, beginning in 2003, the Sigulda District Council.
Next to the New Castle there is a yellow house known as the Summer Castle. It was built at the turn of the 18th or 19th century in style of classicism. The elongated wooden house was built by a master-builder from Cēsis, a man called the last of the Livs of Vidzeme, Mārcis Sārums. Initially Kropotkin's family used the building as a personal orthodox church after the completion of the New Castle in 1881. Services were held by the orthodox priest of Ledurga parish. The building also came under reconstruction when the Writers and Journalists Union obtained ownership and remodeled it to become a boarding-house.
An art gallery was installed in the former brewery of Sigulda manor. Artist Elmārs Gaigalnieks has, over the past 12 years, created the unique technique of sand art which is in continuous development. In this special atmosphere, you can view the sand art and the three dimensional installations. There is also a unique collection of sand samples from five continents.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.