Liepāja Museum is the largest museum in the historical region of Courland, Latvia and possesses more than 100,000 articles, but in the halls of the museum you can see 1,500 exhibits. Permanent displays tell of Liepāja’s history, starting from its early days and of the ethnography of South Kurzeme. They feature a special collection of tin ware and an exhibition telling about the life and works of the wood carver Miķelis Pankoks. The Museum also regularly hosts various local, national and international art exhibitions.



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Category: Museums in Latvia


4.6/5 (based on Google user reviews)

User Reviews

Art Tolerast (7 months ago)
Authentic, nice building and a lot of exponents. Information just in Latvian and English. Very friendly price - for free. 1-2 hours needs for exploring all museum.
Anna Schönbach (7 months ago)
One learns a lot about the region, although most facts are covered by the exhibition in a similar museum in Klaipeda (which is cheaper and has friendlier wardens). The best part might be in the cellar where a blacksmith room is filled with objects and authentic noises. The explanations in English are difficult to understand for funny linguistic mistakes. No audio guides are offered. The behaviour of some wardens might give you the feel of the Soviet culture (an unnecessary micro-aggression precedes any interaction that might be nice in the end. This can be fun to observe. But not all wardens are like this, most are silent). It might be a good idea to ask right away whether you can visit the museum without going to the changing exhibition upstairs the tickets to which seem way too expensive to me for just two rooms with some pieces of modern art.
Rita Vincė Baltrūnienė (8 months ago)
This museum is very interesting in that it is spread over three floors. Immediately upon entry is an exhibition of Stone Age weapons, cannons, letters and the like. After descending to the basement you will find an exposition of folk household. On the third floor you will find an exposition of clothing and bicycles.
Egle Cer (9 months ago)
Nice and very warm. Worthly visiting, especially restored interiors.
Valerija Artisauskaite (9 months ago)
I really like this museum thay have like I could say a lot of information but some of object have a little bit information so is more interesting to read And every room have some of sounds really like this museum after this museum now I know more information about this beautiful city :D
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Mosque–Cathedral of Córdoba

The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.

According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.

In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.

The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.


The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.

In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.

The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.