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Founded: 1868Category: Palaces, manors and town halls in Latvia
Historical period: Part of the Russian Empire (Latvia)
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Cīrava Palace is a national architecture monument included in the list of the culture monuments under state protection. The oldest county administrative documents relating to the subsequent estate are no longer found in publications or extracts from the Baltic German historians archives.
The palace has its roots in a time when the Aizpute and Sakaslejas county belonged to the bishopric of Courland. It was built in 1752 as a hunting palace for the German Baltic baron family von Manteuffel-Szoeges. It was an unimpressive, simple building. In 1868 the palace was rebuilt and expanded in the Tudor–Neo-Gothic style by the project of Teodor Zeiler. Interior elements in the palace are partly preserved, there are ornamental plafonds in some rooms and hearth with marble decorations dating back to beginning of nineteenth century. After this reconstruction, the palace became a quite impressive building with very individual forms and look.
On 16 December 1730 the king confirmed that Otto Friedrich von Behr and his wife Katharina, and their descendants, were the owners of the old Cīrava manor. In 1774 King Stanisław August Poniatowski confirmed Herman Friedrich von Behr and his wife Elizabeth, and their descendants, as the new owners of the estate. In October 1781 the property was inherited by Šarlote Katarīna, and in the summer of 1781 it was acquired by Karl Gothard Ernst von Manteuffel-Szoeges, landlord of Kazdanga Palace.
In the spring of 1921 the estate was nationalized and became part of the Latvian state, which took hold of the manor, some 700 ha. of arable land and 150 ha. of grasslands. From 1922 until 1951 the technical school of forestry (Meža skola) was housed in the palace. Later it served as technical school of agriculture. The last few decades the palace has stood empty and needs renovation jobs. There are some plans to renovate it and transform it to a hotel.
The palace is surrounded by a 19th century landscape park. There is also a decorative pond with two islands and a big collection of trees and bushes in the park. G. Kuffalt, the main gardener of Riga, took part in the creation of the Cīrava Palace park.
References:The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.
The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.
In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.
In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.
After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.
In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.
In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.