Rosendal Palace (Rosendals slott) is a Swedish royal pavilion located at the Djurgården, an island in central Stockholm. It was built between 1823 and 1827 for King Karl XIV Johan, the first Bernadotte King of Sweden. It was intended as an escape from the formalities of court life at the Royal Palace.
Rosendal Palace was largely designed by Fredrik Blom, one of the leading architects of the time, who received a royal commission to draw and build the palace building after the original buildings burned down. Fredrik August Lidströmer, Stockholm's City Architect from 1818 to 1824, had been King Karl XIV Johan's primary architect at the construction of the original Rosendal Palace. After it burned down in 1819, Lidströmer also created the initial drawings for the replacement palace. These were then adapted and redrawn by Fredrik Blom, who had been an assistant to Jonas Lidströmer, father of Fredrik August Lidströmer. The Queen's Pavilion at Rosendal Palace and Guard's Cottage remained entirely the work of Fredrik August Lidströmer.
The creation of the Rosendal Palace in the 1820s marked the beginning of the development of Djurgården into a stately residential area. When King Oskar II died in 1907, his heirs decided to make Rosendal Palace a museum of the Karl Johan period and of the life of Karl XIV Johan. This makes Rosendal Palace a unique documentation of the European Empire style, in Sweden also known as the Karl Johan style. The Karl Johan style remained popular in Scandinavia even as the Empire style disappeared in other parts of Europe.
The palace stands today largely as it did in Karl XIV Johan's lifetime. During the summer months the palace is open to visitors for guided tours.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.