Krypetsky Monastery is a Russian Orthodox monastery founded in 1485 by St. Savva Krypetsky, a Serbian monk from Mount Athos. Two years later, the Pskov veche supported his establishment by granting a large plot of land to the monks. Prince Obolensky had a road for pilgrims built through the mire to the monastery. St. Savva died on 28 August 1495 and was interred in the then timber cathedral, which was rebuilt in stone in 1547 and still stands.
Famous monks of the Krypetsky Monastery included Basil, who described the life of St. Savva in the 1540s; St. Nilus, who founded the Nilov Monastery on Stolbnyi Island; and the former chancellor Afanasy Ordin-Nashchokin, who had the monastery grounds greatly expanded and improved. In the 18th century, the abbey fell into disrepair, but was restored by Evgeny Bolkhovitinov, a bishop best known for his friendship with Gavriil Derzhavin and the latter's poems dedicated to him.
In 1918, the monastery was disbanded by the Bolsheviks who plundered more than five poods (2,600 troy ounces) of gold in the monastery sacristy and had its Neoclassical belltower disfigured. The abbey was briefly revived during the German occupation of the area in World War II and was finally restituted to the Russian Orthodox Church in 1991.References:
The chapel of Notre Dame du Haut in Ronchamp is one of the finest examples of the architecture of Franco-Swiss architect Le Corbusier and one of the most important examples of 20th century religious architecture. It was built between 1953 and 1955. The chapel is a working religious building and attracts 80,000 visitors each year.
Notre Dame du Haut is commonly thought of as a more extreme design of Le Corbusier’s late style. The chapel is a simple design with two entrances, a main altar, and three chapels beneath towers. Although the building is small, it is powerful and complex. The chapel is the latest of chapels at the site. The previous chapel was completely destroyed there during World War II. The previous building was a 4th-century Christian chapel. At the time the new building was being constructed, Corbusier was not exactly interested in “Machine Age” architecture but he felt his style was more primitive and sculptural. Also, he realized when he visited the site that he could not use mechanized means of construction, because access was too difficult.