Kernavė was a medieval capital of the Grand Duchy of Lithuania and today is a tourist attraction and an archeological site. In 2004 Kernavė Archaeological Site was included into UNESCO world heritage list. The area of Kernavė was sparingly inhabited at the end of the Paleolithic era, with the number of settlements significantly increasing in the Mesolithic and Neolithic eras. It is believed, that first inhabitants settled in Kernavė territory in 9-8 millennium BC, but only in the first centuries AD they started to form bigger settlements in the Pajauta valley (Kernavė territory). Settlements were protected by five fortified mounds, which still remain.
The town was first mentioned in 1279, when, as the capital of the Grand Duke Traidenis, it was besieged by the Teutonic Knights. In 1390, during the Lithuanian Civil War (1389–1392), the knights burned the town and its buildings in the Pajauta valley, including the castle. After this raid, the town wasn't rebuilt, and the remaining residents moved to the top of the hill instead of staying in the valley.
In later years, the remains of city were covered with an alluvial earth layer, that formed wet peat. It preserved most of the relics intact, and it is a treasure trove for archaeologists, leading some to call Kernavė the 'Troy of Lithuania'. For example, Kernavė has the oldest known medgrinda, a secret underwater road paved with wood. The road was used for defense and dates from the 4–7th centuries.
The site became the subject of wider interest again in the middle of 19th century, when a romantic writer, Feliks Bernatowicz, depicted the area in his novel Pojata, córka Lizdejki in 1826. The hillforts were soon excavated by the Tyszkiewicz brothers and then by Władysław Syrokomla (1859). After World War II, the excavation works were restarted by Vilnius University in 1979, and then again by the Lithuanian Institute of History between 1980–1983.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.