The Benedictian Abbey of Pontlevoy (Abbaye de Pontlevoy) was established in 1034. It made the town an important commercial and cultural center. A local knight named Gelduin de Chaumont founded to fulfill a vow. It is believed that Gelduin's boat was caught in a storm on the way back from a Crusade in the Holy Land. He prayed to the Virgin for help, promising to build Her a church in Pontlevoy, which he held as a vassal of the Count of Blois. Allegedly, the Virgin dressed in white, appeared above the rolling deck and calmed the sea.
Geldiun endowed the abbey with enough revenue for Benedictine monks to build a huge church, dedicated to the White Virgin. From the east, it looks like a complete Gothic cathedral with flying buttresses and trefoil stone tracery in the windows of the radiating chapels. There is a gravel courtyard where it the nave should be.
The church was almost completely destroyed during the Hundred Years' War. The monks rebuilt the apse and choir but couldn't afford to replace the rest. Inside, on the wall behind the altar, there is a little 11th-century statue of the White Virgin with her Child in her arms. The child leans against her left shoulder. She presses his left hand to her heart. The naif style indicates it was done by a local mason rather than a professional sculptor. The monks ran a hospital here, with a sanctuary for lepers, until the 16th century. But by 1623, when Cardinal Richelieu was named abbot, the monks had abandoned their vows and the buildings were in ruins.
Richelieu repaired them and brought in six Benedictine monks from St. Maur. They started a seminary for the sons of the nobility and the rich bourgeoisie. Students came even from England. In 1776, Louis XVI turned the school into one of the 12 royal military academies of France; a huge cedar of Lebanon in the courtyard was planted in honor of his accession to the throne.
In the 19th century after The Revolution, the college became a private, secular institution, proud of its conservative tradition producing famous scholars, provincial officials, priests and soldiers. It was a boarding school; some families moved to Pontlevoy to be near their sons. They built large, elegant houses with steep, slate roofs, walled gardens and spiked wrought-iron fences that still grace the town. The huge 18th-century building - three stories high with a mansard roof - resembles those government ministry buildings around the Palais Bourbon in Paris. The college closed for a period of time after the Second World War.
The previous owner of the abbey and the college was the Marquis du Vibraye, a descendant of Gelduin, allowed Pontlevoy to open a municipal museum on the third floor. The first two rooms displayed a collection of 19th- and early 20th- century cards advertising Poulain Chocolates. The company, founded by Auguste Poulain, who was born in Pontlevoy in 1815, is still a major manufacturer in Blois. Poulain was a pioneer of modern advertising. Each year his company issued a new series of brightly colored cards commemorating notable men (including Benjamin Franklin) with flowers and illustrations of fairy tales. They were collected and traded throughout Touraine in the 19th century.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.