The remains of the Château de Lavardin stand on a rocky promontory, above the village and the Loir. Built starting from the beginning of the 11th century by the first lords of Lavardin, the castle was sold to the count of Vendôme around 1130, becoming his principal fortress from the end of the 12th century. Completely altered in the 14th and 15th centuries, it was taken by the members of the Catholic League in 1589, then dismantled the following year on the orders of Henri IV, duke of Vendôme and king of France.
The first castle appears to have consisted of a woodenkeep on a motte, protecting a manor house on the summit of the promontory. The fortress of the counts de Vendôme from the 12th to the 15th century was composed of three or four enclosures surrounding a quadrangular keep, the whole built on three rock platforms excavated in the Middle Ages to increase height. At the foot of the castle, between the promontory and the Loir, a further enclosure protected the priory of Saint Martin (Saint-Gildéric), founded about 1040 by the first lord of Lavardin in an external bailey. During the early Middle Ages, the castle promontory was occupied by a cemetery, of which several ditches cut in the rock have been found.
Of the first enclosure there remains a large gatehouse or 'châtelet' (12th, 14th and 15th centuries), with machicolations and embrasures for cannons (about 1400). This gateway gave access to the first level of the promontory, dedicated to the activities of the garrison and the servants. Opposite this door is the entry to the galleries and a large underground storeroom; to the north of the level is a troglodytic kitchen built into the rockface with a baker's oven.
On the second level, accessible by a staircase whose ruins are opposite the châtelet, were several residential buildings. In the east, is the residence (12th, 14th, 15th centuries) which was occupied by the lord of the manor; to the north, what could be the crypt of the castle chapel (15th century); in the centre, a large ceremonial building built in the last years of the 15th century, starting from an older structure (12th century). It still has remarkable vaults with the arms of the Bourbon-Vendôme family and a niche for oil lamps decorated with three masks. A guard room (end 15th century) is installed under this staircase in order to control movement in the underground galleries.
On the final level, protected by a strong curtain wall (around 1200 - 15th century) with cannon embrasures (15th century), stands an imposing rectangular keep built in the 12th century. This construction is partly founded on the walls of the residence, or 'domicilium', built by the lord of Lavardin, probably in the 1070s. Reinforced by three strong towers between the end of the 12th century and the 13th century, it was rebuilt by the counts de Vendôme, between the end of the 14th and the middle of the 15th centuries. The bulk of this work is attributed to Louis I, count de Vendôme from 1393 to 1446.
Above the door can be seen the arms of Jean VII of Bourbon-La Marche, count de Vendôme from 1372 to 1393. Higher, one can still see the remains of the door giving access to the first floor of the keep from the top of the curtain wall. Inside, the overall picture is impressive. On the first floor are a chimney with the arms of Charles VII supported by two angels (about 1420) and a multi-bayed window (14th century). Especially noteworthy are the remains of the staircase, installed about 1400 in one of the keep's 12th century corner towers and the vaulted arches of the second floor (about 1400-1415).
On the arch supports can be seen the armorial bearings of Louis II d'Anjou (1384–1417) and the countess of Vendôme, Alix de Bretagne (deceased in 1377). In the south-west tower is a narrow dungeon, accessible only by a well (15th century).
On the second and third levels of the promontory a network of galleries and underground staircases was dug, allowing access to the castle and to reach the keep and its moat (14th - 15th centuries). In the west are remains of advanced defences and, probably, the motte protecting the home from the first lords up to the 11th century. However, excavations have shown that this part of the site was occupied since protohistory, if not the Neolithic era.References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.