The remains of the Château de Lavardin stand on a rocky promontory, above the village and the Loir. Built starting from the beginning of the 11th century by the first lords of Lavardin, the castle was sold to the count of Vendôme around 1130, becoming his principal fortress from the end of the 12th century. Completely altered in the 14th and 15th centuries, it was taken by the members of the Catholic League in 1589, then dismantled the following year on the orders of Henri IV, duke of Vendôme and king of France.
The first castle appears to have consisted of a woodenkeep on a motte, protecting a manor house on the summit of the promontory. The fortress of the counts de Vendôme from the 12th to the 15th century was composed of three or four enclosures surrounding a quadrangular keep, the whole built on three rock platforms excavated in the Middle Ages to increase height. At the foot of the castle, between the promontory and the Loir, a further enclosure protected the priory of Saint Martin (Saint-Gildéric), founded about 1040 by the first lord of Lavardin in an external bailey. During the early Middle Ages, the castle promontory was occupied by a cemetery, of which several ditches cut in the rock have been found.
Of the first enclosure there remains a large gatehouse or 'châtelet' (12th, 14th and 15th centuries), with machicolations and embrasures for cannons (about 1400). This gateway gave access to the first level of the promontory, dedicated to the activities of the garrison and the servants. Opposite this door is the entry to the galleries and a large underground storeroom; to the north of the level is a troglodytic kitchen built into the rockface with a baker's oven.
On the second level, accessible by a staircase whose ruins are opposite the châtelet, were several residential buildings. In the east, is the residence (12th, 14th, 15th centuries) which was occupied by the lord of the manor; to the north, what could be the crypt of the castle chapel (15th century); in the centre, a large ceremonial building built in the last years of the 15th century, starting from an older structure (12th century). It still has remarkable vaults with the arms of the Bourbon-Vendôme family and a niche for oil lamps decorated with three masks. A guard room (end 15th century) is installed under this staircase in order to control movement in the underground galleries.
On the final level, protected by a strong curtain wall (around 1200 - 15th century) with cannon embrasures (15th century), stands an imposing rectangular keep built in the 12th century. This construction is partly founded on the walls of the residence, or 'domicilium', built by the lord of Lavardin, probably in the 1070s. Reinforced by three strong towers between the end of the 12th century and the 13th century, it was rebuilt by the counts de Vendôme, between the end of the 14th and the middle of the 15th centuries. The bulk of this work is attributed to Louis I, count de Vendôme from 1393 to 1446.
Above the door can be seen the arms of Jean VII of Bourbon-La Marche, count de Vendôme from 1372 to 1393. Higher, one can still see the remains of the door giving access to the first floor of the keep from the top of the curtain wall. Inside, the overall picture is impressive. On the first floor are a chimney with the arms of Charles VII supported by two angels (about 1420) and a multi-bayed window (14th century). Especially noteworthy are the remains of the staircase, installed about 1400 in one of the keep's 12th century corner towers and the vaulted arches of the second floor (about 1400-1415).
On the arch supports can be seen the armorial bearings of Louis II d'Anjou (1384–1417) and the countess of Vendôme, Alix de Bretagne (deceased in 1377). In the south-west tower is a narrow dungeon, accessible only by a well (15th century).
On the second and third levels of the promontory a network of galleries and underground staircases was dug, allowing access to the castle and to reach the keep and its moat (14th - 15th centuries). In the west are remains of advanced defences and, probably, the motte protecting the home from the first lords up to the 11th century. However, excavations have shown that this part of the site was occupied since protohistory, if not the Neolithic era.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.