Catherine Palace

Pushkin, Russia

The Catherine Palace is a Rococo style palace which was used as a summer residence of the Russian tsars. The residence originated in 1717, when Catherine I of Russia engaged the German architect Johann-Friedrich Braunstein to construct a summer palace for her pleasure. In 1733, Empress Anna commissioned Mikhail Zemtsov and Andrei Kvasov to expand the Catherine Palace. Empress Elizabeth, however, found her mother's residence outdated and incommodious and in May 1752 asked her court architect Bartolomeo Rastrelli to demolish the old structure and replace it with a much grander edifice in a flamboyant Rococo style. Construction lasted for four years, and on 30 July 1756 the architect presented the brand-new 325-meter-long palace to the Empress, her dazed courtiers, and stupefied foreign ambassadors.

During Elizabeth's lifetime, the palace was famed for its lavish exterior. More than 100 kilograms of gold were used to gild the sophisticated stucco façade and numerous statues erected on the roof. In front of the palace a great formal garden was laid out. It centres on the azure-and-white Hermitage Pavilion near the lake, designed by Mikhail Zemtsov in 1744, remodelled by Francesco Bartolomeo Rastrelli in 1749 and formerly crowned by a grand-gilded sculpture representing The Rape of Persephone. The interior of the pavilion featured dining tables withdumbwaiter mechanisms. The grand entrance to the palace is flanked by two massive 'circumferences', also in the Rococo style. A delicate cast-iron grille separates the complex from the town of Tsarskoe Selo.

Although the palace is popularly associated with Catherine the Great, she actually regarded its 'whipped cream' architecture as old-fashioned. When she ascended to the throne, a number of statues in the park were being covered with gold, in accordance with the last wish of Empress Elizabeth, yet the new monarch had all the works suspended upon being informed about the expense.

In order to gratify her passion for antique and Neoclassical art, Catherine employed the Scottish architect Charles Cameron, who not only refurbished the interior of one wing in the Neo-Palladian style then in vogue, but also constructed the personal apartments of the Empress, a rather modest Greek Revival structure known as the Agate Rooms and situated to the left of the grand palace. Noted for their elaborate jasper decor, the rooms were designed so as to be connected to the Hanging Gardens, the Cold Baths, and the Cameron Gallery (still housing a collection of bronze statuary) — three Neoclassical edifices constructed to Cameron's designs. According to Catherine's wishes, many remarkable structures were erected for her amusement in the Catherine Park. These include the Dutch Admiralty, Creaking Pagoda, Chesme Column, Rumyantsev Obelisk, and Marble Bridge.

Upon Catherine's death in 1796, the palace was abandoned in favour of Pavlovsk Palace. Subsequent monarchs preferred to reside in the nearby Alexander Palaceand, with only two exceptions, refrained from making new additions to the Catherine Palace, regarding it as a splendid monument to Elizabeth's wealth and Catherine II's glory. In 1817 Alexander I engaged Vasily Stasov to refurbish some interiors of his grandmother's residence in the Empire style. Twenty years later, the magnificent Stasov Staircase was constructed to replace the old circular staircase leading to the Palace Chapel. Unfortunately, most of Stasov's interiors — specifically those dating from the reign of Nicholas I — have not been restored after the destruction caused by the Germans during World War II.

When the German forces retreated after the siege of Leningrad, they had the residence intentionally destroyed, leaving only the hollow shell of the palace behind. Prior to World War II, the Russian archivists managed to document a fair amount of the interior, which proved of great importance in reconstructing the palace. Catherine Palace is one of St. Petersburg's most popular visitor attractions, and queues in the summer months can be daunting. All visitors are obliged to follow a guided tour, which is in Russian unless otherwise arranged in advance.

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Details

Founded: 1717
Category: Palaces, manors and town halls in Russia

Rating

4.7/5 (based on Google user reviews)

User Reviews

Wendy RIBEIRO (8 months ago)
Amazing place with amazing pieces of art!! Love this place, this palace was the most beautiful museum that I have done in Russia. Totally in love with all those architectures.
Kesselmann (10 months ago)
We were here in 2018. Very nice palace, the amber room is fantastic! Unfortunately no photos could be taken!!
Ahmed Sobeih (12 months ago)
Very beautiful place with amazing park, lots of places for great photos, need to spend several hours to enjoy the whole place
Jevgenijs Dunajevskis (13 months ago)
Absolutely magnificent masterpiece of highly cultural architecture you must see at least once. From our personal experience - winter will be perfect time of the year to visit and understand it. You can easily get there by train and bus. Staff is very polite, easygoing and friendly, able to answer almost any question you will get.
Jose somewhere (15 months ago)
I visited this place in the summer quite a few years ago now but I still remember how beautiful it was. I’ve shared a few photos and short video of what I saw. Totally recommend visiting if you get the chance to.
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Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

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In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.

Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

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20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.

Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.