Kazan Cathedral is dedicated to Our Lady of Kazan, probably the most venerated icon in Russia. The construction was started in 1801 and continued for ten years (supervised by Alexander Sergeyevich Stroganov). Upon its completion the new temple replaced the Church of Nativity of the Theotokos, which was disassembled when the Kazan Cathedral was consecrated. It was modelled by Andrey Voronikhin after St. Peter's Basilica in Rome. Although the Russian Orthodox Church strongly disapproved of the plans to create a replica of a Catholic basilica in Russia's then capital, several courtiers supported Voronikhin's Empire Style design.
After Napoleon invaded Russia in 1812, and the commander-in-chief Mikhail Kutuzov asked Our Lady of Kazan for help, the church's purpose was to be altered. The Patriotic War over, the cathedral was perceived primarily as a memorial to the Russian victory against Napoleon. Kutuzov himself was interred in the cathedral in 1813; and Alexander Pushkin wrote celebrated lines meditating over his sepulchre. In 1815, keys to seventeen cities and eight fortresses were brought by the victorious Russian army from Europe and placed in the cathedral's sacristy. In 1837, Boris Orlovsky designed two bronze statues of Kutuzov and Barclay de Tolly in front of the cathedral.
In 1876, the Kazan demonstration, the first political demonstration in Russia, took place in front of the church. After the Russian Revolution of 1917, the cathedral was closed. In 1932 it was reopened as the pro-Marxist 'Museum of the History of Religion and Atheism.' Services were resumed in 1992, and four years later the cathedral was returned to the Russian Orthodox Church. Now it is the mother cathedral of the metropolis of St. Petersburg.
The cathedral's interior, with its numerous columns, echoes the exterior colonnade and is reminiscent of a palatial hall, being 69 metres in length and 62 metres in height. The interior features numerous sculptures and icons created by the best Russian artists of the day. A wrought iron grille separating the cathedral from a small square behind it is sometimes cited as one of the finest ever created.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.