The Trelleborg near Slagelse is one of the five of six Viking ring castles in Denmark. Similar to the other Viking ring castles found so far, the Trelleborg at Slagelse was designed as an exact circle with two roads that crossed at right angles in the geometric center and led to the four gates with two always opposite to each other. In each of the four quarters stood four almost identical longhouses arranged in a square. Unlike the others, the fortress was extended with a sort of bailey. The whole fortress may have supplied room for some 1,300 people.
The circular main castle was surrounded by a 5-meter-high rampart that was 17.5 meters wide at the base and had a diameter of 137 meters. The outer walling was made of oak. Two rows of poles were supported by slanted beams from the outside and the room in between the poles was filled with loam and stones. The inside was also clad with wood, the two facades were reinforced by beams connecting the two. In the east there was a 5-meter-broad berm protected by a ditch with a pointed profile, 17 meters wide and 4 meters deep. The ditch was not filled with water and had a palisade at its base. The two roads were covered with wood, and the four gates lined with stones on the inside. As in Fyrkat, there may have been a circle path along the inner side of the ramparts.
The 16 longhouses were arranged in four squares 29.42 meters long each and had a somewhat ship-like form, the long walls bulging outwards. Each house was divided into three rooms with a large central hall (18 x 8 m) and two smaller rooms at the ends. Each house had four entrances, two at the short ends and two in the long walls. The doors where protected by porches. Besides the large longhouses there were also smaller houses to the north of the north eastern quarter, two small houses in the inner yard of the northeastern and southwestern quarter and a little square hut each near the northern and western gates.
The bailey of the fortress seems unique, as the other fortresses seem to lack this feature (so far only Aggersborg, Fyrkat and the Trelleborg near Slagelse have been fully excavated as of 2006). The bailey was protected by a rampart of its own to the east. The 15 longhouses of the bailey, each 26.33 meters long, were placed with their axis through the length of the buildings pointing to the center of the main castle.
In an extension of this bailey was a cemetery with 135 graves. Most buried were young men but some were also women or children. Two contained mass burials, one for five and one for eleven persons. Over two-thirds of the graves had no grave offerings, the others only had few pieces, weapons being rather rare. Only two graves were rich in items. One was a woman's grave with pearls, a bronze bucket, a wood casket and game stones. The other was the grave of a male with a bronze bowl and a silver adorned axe. The large amount of simple graves may indicate a Christian influence. Graves of horsemen were found on surrounding higher grounds.
The site was excavated from 1934 to 1942. Most of the finds were things of every day life: pottery, locks, keys, fittings, knives, whetstones, combs, weaving weights, scissors and needles. Weapons such as iron axes, arrow points and parts of shields.
Older datings put the castle near the year 1000. Datings by Dendrochronology have found the wood used for the construction to have been felled in the fall of 980 and thus being used for building presumably in the spring of 981. The rather short construction time and the complete lack of any signs of maintenance indicate an only short use of the buildings. Possibly the fortress was abandoned before it was completed. Signs of fire may indicate its destruction by fire. The regions around the gates show signs of longer usage though.
One of the Longhouses was reconstructed on the site in 1948. Further investigations have led to other opinions on the construction though. Today the site is an open air museum with some buildings for exhibits.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.