Tingsted Church, located on high ground in the village of Tingsted, dates from c. 1200. Built in the Romanesque style, it is best known for its frescos from the end of the 15th century. At an early stage, the pink-plastered church was dedicated to St Peter. As the name Tingsted implies, the place was originally associated with early lawmaking in the area. In 1329, King Christopher II concluded an agreement with Marsk Ludvig Eberstein, head of the armed forces, after his surrender at Hammershus and in 1329 made peace with Count Johann of Holstein. In 1511, Falster's landsting (regional council) was held in the churchyard and the following year King Hans presided over a dispute between his vassal and the bishop. Jacob Christian Lindberg, who translated the Bible into Danish and, together with Grundtvig played an active part in religious reforms, was named parish pastor in January 1844.
Built of local fieldstone with limestone framing around the windows and doors, the church initially consisted of the nave,chancel and a half-domed apse. Traces of the original rounded windows highly positioned in the nave and apse can still be seen. Around 1500, the Late Gothic tower and porch were added and the flat ceiling in the nave was replaced by cross-vaulting. The windows were later adapted to the positioning of the vaults. The tower probably had stepped gables until it received the pyramid-shaped spire. It is thought the relatively steep roof above the nave resulted from the need to provide room for the top of the arches used for the vaulting.
The panel on the 17th-century altar is the work of Antonius Clement, Queen Sophia's court painter. Its three niches have female figures representing Faith, Hope and Charity and are bordered by slim figures representing the cardinal virtues: Temperance, Justice, Prudence and Fortitude. The elaborately-worked Renaissance altarpiece (1616) contains a painting of the Last Supper. The carved baroque pulpit (1633) by Jørgen Ringnis with paintings by Anthonius Clement bears similarities to the one in Kippinge Church. The Romanesque font has a wide, rounded bowl.
The frescos in the chancel and the nave from the late 15th century are the work of the Elmelunde Master and his workshop. Rediscovered under the whitewash in 1877, they depict the baptism of Jesus, the suicide of Judas, the rich man and the poor mantogether with the Fall and the Expulsion. It is interesting to see how the rich man, kneeling before Christ, wears a long-tailed hood, an article of clothing reserved for the more affluent of the time.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.