The first known reference to Bregentved is from 1319 when King Eric VI of Denmark passed the estate to Roskilde Abbey. From the end of the 14th century the property was owned by a succession of aristocratic families, including that of Krognos in the 16th century, until 1718 when it was acquired by King Frederick IV. In the 18th century Bregentved was in consecutive Birks, so had separate legal jurisdiction from Haslev Sogn (parish) and old Ringsted Herred (hundred). The north wing still extant in the early 21st century was built 1731-36 by architect Lauritz de Thurah and has a black-tiled, hipped roof. It contains a chapel on the first floor.
In 1746, King Frederick V granted the Bregentved estate to Adam Gottlob Moltke, one of his closest companions who was at the same time made lord chamberlain and a count. Over the next few years, Moltke adapted the two remaining wings with the assistance of the architects G.D. Anthon and Nicolai Eigtved. Moltke also commissioned Eigtved to built him a large mansion in Copenhagen, the south-western of the four Amalienborg Palaces, which was completed in 1754. At Bregentved, Moltke introduced several agricultural reforms to the management of the estate with inspiration from Holstein.
A. G. Moltke died at Bregentved on 25 September 1792, passing his estates to his oldest son, Joachim Godske Moltke, who ceded their mansion in Copenhagen to the royal family after the fire of Christiansborg Palace in 1794. As a replacement, Adam Wilhelm Moltke, who had just left office as the first Prime Minister under Denmark's new constitutional monarchy, acquired a new mansion which became known as Moltke's Mansion. After the harvests at Bregentved Manor and other family holdings, he would move his entire household to Copenhagen.
In the 1880s, Count Frederik Christian Moltke decided to modernize the house. He demolished the two Eigtved wings and replaced them with two new wings which were completed in 1891 to the design of the architect Axel Berg.
The east and south wings of the present three-winged building date from Axel Berg's 1891 rebuilding and stand on Eigtved's foundations. They are designed in the Neo-Rococo style and are topped by a Mansard roof in copper and tile. The east wing has a three-bay risalit with pilasters and a triangular pediment, and a two-bay corner risilit at each end with segmental pediments. The entrance tower also dates from Berg's expansion.
The north wing was built 1731-36 by Lauritz de Thurah and has a black-tiled, hipped roof. It contains a chapel on the first floor which has sculptor Johann Friedrich Hännel.
In the 1760s, A. G. Moltke commissioned Nicolas-Henri Jardin to create a garden in the French formal garden style but it was adapted into a landscape garden in 1835. Some features have been retained from Jardin's garden, including avenues, and traces of a parterre surrounded by canals and a system of fountains, which was restored in 1994. Some vases and Frederik V's Obelisk (1770) by Johannes Wiedewelt also date from this garden as does a copy of a statue by Giambologna. The garden also features a statue of A. W. Moltke by Herman Wilhelm Bissen in 1858-59.
Today Bregentved-Turebyholm covers 6,338 hectares and total of 163 houses also belongs to the estate. There is no public access to the house but the park is open to the public on Wednesdays, Saturdays, Sundays and public holidays. Admission is free of charge.References:
Built around AD 90 to entertain the legionaries stationed at the fort of Caerleon (Isca), the impressive amphitheatre was the Roman equivalent of today’s multiplex cinema. Wooden benches provided seating for up to 6,000 spectators, who would gather to watch bloodthirsty displays featuring gladiatorial combat and exotic wild animals.
Long after the Romans left, the amphitheatre took on a new life in Arthurian legend. Geoffrey of Monmouth, the somewhat imaginative 12th-century scholar, wrote in his History of the Kings of Britain that Arthur was crowned in Caerleon and that the ruined amphitheatre was actually the remains of King Arthur’s Round Table.
Today it is the most complete Roman amphitheatre in Britain.