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Founded: c. 1200Category: Religious sites in Denmark
Historical period: The First Kingdom (Denmark)
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Toreby Church was built around 1200 and it is an unusually large red-brick Romanesque building, the nave and chancel having been extended in the Gothic period with a sacristy and lateral aisle. The tower was constructed in late Gothic times, shortly after the church was built. The sacristy to the north of the chancel was built at the beginning of the 14th century. The aisles were added in the Gothic period, first the one on the northern side, then the one to the south. The Late-Gothic porch has been altered several times.
The chancel originally had a flat wooden ceiling, the vaulting was added later. Six-ribbed vaults were also added to the nave and the northern aisle. A fresco of a bassoon-playing angel was found on the chancel arch, probably part of a painting of the Last Judgment. The altarpiece consists of a painting of the Entombment of Christ, copied from Pietro Perugino's original by Albert Küchler in 1849. The former altarpiece now stands at the west end of the church. The pulpit (1645) in the auricular style is the work of woodcarver Jørgen Ringnis. The north aisle contains a crucifix from c. 1250.
The frescos on the sacristy vault were discovered in 1904 and restored in 1920. Probably dating from the early 14th century, they depict the Enthroned Christ, two angels, John the Baptist with the lamb, and the prophets Zechariah and Jeremiah. Traces of other figures can also be seen including Michael fighting the dragon, the Judgment of Solomon and the Sacrifice of Isaac. There are also traces of frescos of Moses, including Moses and the Burning Bush.
References:The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.