Founded in c. 1020 by Guillaume de Bellême known as 'Talvas', Lonlay Abbey was originally occupied by the monks of Saint-Benoît-sur-Loire. Interpolated between the Gothic choir and porch, there are no more remains of the Romanesque edifice than the transept whose lower and middle sections show some signs of fishbone bonding, and date back to the end of the 11th century or beginning of the 12th century.
Unlike the very austere capitals in granite on the first level of the floors, in line with the geometric tendencies of the end of the 11th century, the eleven capitals of small columns located between the transept and the choir form an original collection within the corpus of Norman Romanesque sculpture, which has no equivalent except in the priory of Goult, a dependency of the abbey of Lonlay. These were created in c. 1090 in a white limestone which is different to that of Caen - mostly used in Romanesque sculpture in Normandy - and are decorated with ornamental motifs or figured scenes which are often original.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.